3. VTG RESTORATIONS - AVAILABLE TO PRE-ORDER - ACOUSTIC BLUES VINTAGE PARLOR GUITARS - HARMONY STELLA H928 & REGAL R200 USA "WARTIME"/1946, 1958 & 1964 IVORY & CHERRY FAUX FLAME MODELS.
Choice of 3 Original All Solid Birch, Ladder Braced, Prof. Restored Condition, Great Character & BluesTone - ready to go "In the Workshop" for restoration - available for "pre-order" - Individual Restored Prices Below.
POA
Intro
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Selection of "Restoration to be Completed" Vintage Harmony Stella Guitars - fully restored prices indicated below or available on request - meantime, showing photos of the selection of models available, before start of restoration - ready to go "In the Workshop" for restoration & available to "pre-order"!

A Full Set of Details of each of the guitars listed can be provided on request, but I have felt for some time that I needed to rationalise the amount of information confronting folks....hope it works for enquirers!

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See pages for "Wartime" and "Bridging WW11 Years" Stellas, which show the continuation in the post-war Stellas basic design & construction of the similar Harmony models of the 1930s into the long-running Stella H929, in continuous production by Harmony, in Chicago, from 1945 to 1970, without any major changes, and the many & various versions, both Stella & other branded models, all cosmetic variations of the one base design/construction.

What this illustrates is the direct line in the production of these guitars, progressing from the many Parlor models Harmony produced in the 1930s (a selection of which I can offer on the separate page devoted to 1930s & '40s Harmony parlors), from which the dimensions & ladder-braced, all solid Birch construction, and traditional flat/un-radiused fingerboard was transitioned was transitioned into the post-war Stellas which Harmony produced after they acquired the Stella name, following the collapse of the Oscar Schmidt company around 1939/40.
Description
I have sold many 1940s, '50s and '60s Harmony-made Stella guitars over the years, in their many variations of the same basic model.....quite a few of them are included in the models currently ready to "pre-order" & restore, on this and adjoining pages.

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**** CURRENTLY AVAILABLE H928 STELLA MODELS ARE.....
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HARMONY STELLA H928 CHICAGO, USA "WARTIME" 1946 LADDER BRACED ALL SOLID BIRCH ACOUSTIC GUITAR - VTG1458 - Price: £499 - photos 1, 3 & 6 & link for model details on Harmony Guitars Database - http://harmony.demont.net/guitars/H928/238.htm

HARMONY STELLA H928 CHICAGO, USA 1958 LADDER BRACED ALL SOLID BIRCH ACOUSTIC GUITAR - VTG1495 - Price: £479 - photos 2, 4 & 5 & link for model details on Harmony Guitars Database - http://harmony.demont.net/guitars/H928/238.htm

HARMONY REGAL STELLA R200 CHICAGO, USA 1964 LADDER BRACED ALL SOLID BIRCH ACOUSTIC GUITAR - VTG1329 - Price: £479 - library photos 7, 8 & 9 of similar R200, but no HGD link....search HGD for R200 for photo images, but no other details...structurally identical to Stella H929 models on this Harmony Guitars Database link - http://harmony.demont.net/guitars/H929/239.htm

......more details on each of them will be added soon! ****
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Set up for either Fingerstyle Blues or Bottleneck playing, or mixture of both - these are superb sounding parlor blues guitars, with great looks, lots of vibe and historic All-American character - all original condition - an iconic Chicago made, 12 fret-to-the-body, parlor Blues Guitar - all solid Birch, ladder braced construction!

The models on this page all have floating bridge & tailpiece which gives an advantage in the ability to make minute positional adjustments in order to optimise intonation, which can vary slightly if altered/open tunings are used, and the flat/un-radiused fingerboards inherited from the earlier period, and characteristic throughout the Harmony Stella range of guitars, which are ideal for this type of play.....see separate pages for other variations of the same basic Stella guitar...some with fixed bridge!

Links are provided to The Harmony Guitars Database pages on each model.
Condition
Individual condition report and repair/restoration schedules can be supplied for each of the guitars mentioned, on request.

All are in either entirely or essentially original condition....finish & colour in my view as good as you are likely to find on any guitars of this type, ranging between 50 & 75 years old - inevitably there is a little edge wear to the painted bindings and other edges and minor surface chips/scratches...in the main, really the minimum for a Stella of this type and age, and I've seen quite a few! I hope that you will agree that the photos show that these remain handsome & characterful vintage guitars.

All the guitars are inspected in conjunction with the professional luthier I work with, in order to determine the schedule of restoration works required, whether it may include a neck reset or the need to re-level the typically flat Harmony Stella fingerboard, on which if we cannot avoid losing the painted position markings, we do have stencils in order to replace them, or alternatives to install dot markers, etc. to retain the character of guitar as much as possible. Major jobs are carried out in the luthier's workshop, and the whole restoration completed under his supervision.

The original tuners & tailpieces do generally show some typical age-related discolouration but, in the main they work fine, amd are retained wherever possible, but if that is not practicable there are good options for repro parts or I do have a stock of original parts to call on. Original wooden floating bridges, wooden or very good original hard plastic nuts, are re-used whenever possible, but if not practicable replacements are individually purpose-made in Ebony or Bone.
Action, strings & cases
Following whatever restoration/repair works are required on the individual guitar, on completion of the set-up adjustments we will be looking for an action of around 3mm. at the 12th. fret of the traditionally flat fingerboard, which I reckon that is ideal for a Stella "all-rounder", good for Bottleneck play, but with fretting aided by the shorter scale length and consequent lower string tension, therefore ideal for a mixture of finger-style and bottleneck play. Within reason it can be a degree higher or lower to suit individual requirements.

Additionally these guitars could also be used for full-time slide with a nut riser costing no more than a few pounds. The sound is typically loud and pokey, just as a Stella should be - a great Bluesy voice! It has "That Sound" in spades - even, woody, bright, clear, ringing tone! They are usually strung with Martin Bronze Light or Martin Retro Monel Light gauge 12-54 strings, and really sound tremendous - and loud!

There is usually no case (although the guitar will be well packed and securely boxed for posting), but I do have the odd period case, and may be able to supply one of the type these guitars originally came in, or alternatively I may be able to supply it with a virtually unused Hiscox Liteflite hardshell case. These cases of course do offer much better protection, but even the smallest case produced by Hiscox does require a somee of their extra internal pads fitting, in order to hold the small guitar correctly. I will be happy to advise whether I can marry the guitar to a suitable case, at the time of purchase, and if so agree with you an inclusive price for Guitar + Case.
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Delivery details
PLEASE SEE THE DETAILS ON UK & EUROPEAN DELIVERY OPTIONS, INTERNATIONAL SALES, FEEDBACK & TESTIMONIALS, OTHER GUITARS, PICKUP INSTALLATIONS, ETC. SECTIONS OF THE TWO "BOXES" AT THE HEAD OF PAGE 1.....HEADED "AVAILABLE GUITARS INVENTORY & ARCHIVE" AND "SALES & GENERAL ENQUIRIES".

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**** DIMENSIONS ****
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Sometimes these guitars are mistakenly described as three-quarter size - there is a three-quarter size version of the Stella H929 model (one of which I have in the workshop at present) which is much smaller, this being the full size model with standard Stella dimensions:-

Overall length - 36.25"/96cm., body width lower bout - 13.25"/33.5cm., upper bout - 9.5"/24.2cm., body length - 17.8"/45.2cm., body depth front - 3.25"/8.2cm., rear - 3.7"/9.3cm, with standard Stella/Harmony nut width of 1.75"/44.5mm. - just a tad wider than most modern acoustics - and a 24.25"/615mm scale.

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**** YOUTUBE ****
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There are one or two demo clips of Stella H928s on YouTube, together with many others showing the variety of structurally identical Stella guitars which Harmony produced under various mail-order/store company brandings, including Silvertone, for Sears, Airline for Montgomery Ward, and some Regal branded, by then the Regal name was owned/distributed by Fender. The embedded link below is a YouTube clip entitled "1959 Blonde Harmony Stella H928" by Daniel Guareschi...the guitar is identical model, just one year younger, but just at the point where Harmony changed the older style pre-war like "Stella" name logo for the more modern version, added the "Steel Reinforced Neck wording & switched the black-button tuners for the more common cream buttons.

I have added additional YouTube clips as the two further links below. The first entitled "Guitar rag - 1964 Stella parlor guitar" by "wsbluesbox" of some very nice playing on a slightly later Stella H929. The second link below is "Sitting on top of the World - Harmony Regal parlour guitar" by "Deepriver100" on a Regal R200....same model as I also have available for restoration currently, and structurally identical to this, except that it has a non-standard fretwire saddled bridge. There is a further YouTube clip of a Stella H927, probably mid-'60s....the only difference is the natural blond finish...if you search "Vintage Harmony Stella H927 parlor guitar" by GBguitars.
Video
Useful links
YouTube clip - Guitar Rag - 1964 Stella parlor guitar by wsbluesbox
Additional YouTube clip - Sitting on top of the World - Deepriver100
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