All Solid Birch 23" Scale, All Original, to be Professionally Restored, Excellent Structural/Playing Condition - "In the Workshop" for restoration & already "pre-ordered"!

Update - 17/11/2018 - the guitar has been reserved on "pre-order" for a customer, pending completion of light restoration & overhaul!

Update - 09/12/2018 - Completed, new photos of the completed job added & collected by customer.

See also the already the very early 1948 H1215T VTG1546 I am currently working on, but also available on Page 1, also the later 1960 model VTG1563 currently available on Page 5, and for further details/photos of previous restorations see Archive on Page 12.


These are scarce guitars....in the case of the other one I am currently working on I had to check records to confirm whether the 1948 dating was possible/correct, as the Harmony Guitars Database states that although the 6-string version of the H1215 was made from 1944, the Tenor only went into production in 1956.....but this is clearly an error, as low & behold the photo archive to the HGD details includes another 1948 example....same headstock/logo/date stamp....my doubts settled....you live & learn!

Until the one I completed & sold at the end of January, 2017, the previous last two I sold were in 2014, when I was lucky enough to be able to get two in....one sold to a Traditional Folk Musician, in West Yorkshire, bought the 1964 example we made the pickguard for....his second purchase, having previously bought a Stella H929TG tenor from me.

The second, a 1969 made one, went to Graham Legge, Sound Engineer & Folk at the Salmon Bothy, Portsoy, far up in North East Scotland...fullsome feedback was a delight....you might gather that I have been up there & seen some of the musicians he works with.....see his feedback under the heading below...........


If you follow my listings you will know that from time to time (i.e. as often as I can get hold of them) I do list Tenor Guitars regularly, most often H929TG Harmony made Stellas, which usually don't hang about long at all - with excellent feedback from buyers! Availability of the Stella Tenors is also limited, and I generally don't manage to get more than 2 or 3 a year, and the last one I had in the workshop was pre-sold, and has now been completed and collected by the buyer.

My tenor guitar sales have been fascinating in regard to the quality of the players who have bought them, including one restored as a private project for David Bristow, well-known Midlands-based Bluesman. David is extremely happy with it, and footage of him gigging it is now available on YouTube - David Bristow - Three Fat Ladies! Sound is better on the one recorded at the Musician, Leicester.

Another, partly rebuilt and restored sold to Richard Hawley, who has since bought another tenor...this time a Harmony Sovereign H1201TG from me, and again I have been in touch with Richard recently, and he is very happy with both of his tenors, and happy for me to use his endorsement.
Stock Number: VTG1558.

A superb classic Harmony Archtop Acoustic Tenor Guitar, made in Chicago, from all solid Birch. It carries the original inside ink date stamp of S-61, indicating that it was made in one of the 1961 production runs. This model, the Archtone Tenor guitar, previously thought to have been made only from 1956, although the 6-string version commenced production in 1944, but now confirmed to have been made from at least as early as 1948, through to 1971.

In addition to the other Harmony and Stella H929TGs I have have sold a number of other Tenor Guitars over the last few years - these have included 1960s Kay/Silvertone models and earlier Oscar Schmidt Stella short scale and all Mahogany Kay models. All have been eminently playable guitars and have proved outstandingly popular - so much so that in addition to some of the prominent UK buyers, others have been shipped to Denmark, Germany, Rome and Portugal! Accordingly, as good examples, like this one, are so scarce, I think that this is an opportunity not to be missed by serious Tenor Guitar players!
The condition has been fully assessed in terms of the extent of work I will need to do to restore the guitar to the standard of full structural soundness and playing condition that all VTG guitars are completed to, having been checked over fully with the very experienced professional luthier I work with. The assessment is that relatively minor works are required to lightly stone & re-profile the frets, overhaul/adjustments to the nut & floating bridge, in addition to the general cleaning, including to remove some black deposits on edges etc., and this work is now completed.

Cosmetically the guitar is as good as you could expect a 57 year old Harmony acoustic to be. Some typical age and use marking and limited finish loss, as to be expected for a vintage guitar of this age, and I think the photos of the actual guitar show that this remains a particularly smart and handsome example of it's type.

Again, all the components appear original, and complete, except that the pickguard is missing, as many are over the years. The tuners & tailpiece are again original, remaining in clean & quite bright condition and serviceable. Minor attention was required to the nut and adjustable floating bridge....the nut is of some age, possibly not original, but is bone....just had been badly fitted sitting on a bed of glue....nothing that couldn't be remedied with a sharp chisel, and has now been re-fitted & adjusted. The adjustable bridge is original....just a minor damage to the top & badly cut string slots, so minor re-shaping & adjustment has been completed.

The fingerboard shows very slight change of direction at the 14th. fret body join. Whether this indicated that the neck joint has previously been reset is not conclusively clear, but it is a possibility. The deflection is slight, and the guitar has existing low action & is fully playable, therefore restoration is limited to the mild stoning & re-profiling of the frets, and fingerboard cleaning, to ensure playability is as good as possible, whilst retaining maximum originality. At the buyer's request a strap button previously added to the neck heal, has been removed & the screw hole filled, and no pickguard had been fitted.
Action, strings & cases
Tenor guitar action does not really need to be particularly low for a 23" scale tenor, and the action following nut & saddle adjustments, with the adjustable bridge thumbwheels at their lowest, of 2mm./2.5mm. is lower than it needs to be, but of course the string height can be raised with those adjusters.

Strings fitted at the customer's request, for GDAE Irish "G" Tuning are the dedicated Eagle Music "Superior Acoustic" Pure Nickel, 12/18w/28/38, set.

There is no case included, but I do usually have some vintage cases of the type these guitars were originally sold with, although they are covered pressed fibreboard, not intended to last a lifetime, and in variable condition. Alternatively I may be able to supply in a Hiscox Liteflite hardshell case, offering much better protection, and if I can marry the guitar to a suitable case, I will be pleased to agree a combined price for guitar + case.
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Experts and Tenor Guitar/Banjo players will know far more than I do about the tuning options for Tenor Guitars, but there is also information available on the web, and I previously had a copy of the very useful "Tenor Guitar Chord Bible" by Tobe A. Richards, which I passed on with one of the Tenor Guitars I sold. available on line from Fretted Friends, with chords for CGDA (Standard Tuning) and GDAE (Irish Tuning), as opposed to the Chicago tuning, derived from the 6 string. Various string makers produce string sets specifically for Tenor Guitar, and the excellent Huddersfield based Eagle Music sell their "Eagle-Puretone" dedicated Tenor Guitar Strings in 3 sets:- "Chicago" 13/17/26W/34W, "Standard" 10/13/24W/32W, and "Irish" 12/18W/28W/38W - in both loop end & ball end Nickel & Bronze - I will consult the buyer as to their choice of preferred string gauges, according to the tuning they use.

*** FEEDBACK ***

......from Graham Legge, Sound Engineer & Folk at the Salmon Bothy, Portsoy, far up in North East Scotland...

"Guitar delivered on Friday - Totally chuffed with it..By all means quote me - It ain't no lie - it's a cracking wee guitar.

Didn't really get a chance to have a really good go of it - too many gigs getting in the way - although I did play it most of Saturday morning.

Jonny Hardie et al were totally stunning on Saturday evening at Glenbuchat - I love my job sometimes. (Jonny Hardie....Old Blind Dogs, Up in the Air, etc. - http://www.oldblinddogs.co.uk/)

Didn't get home until the early hours of Sunday morning - then on the Sunday afternoon I had the session I lead at the coffee shop in Portsoy. Normally that's just me and 3 or 4 others - but the place was full - performers and audience.

Thanks again - remember the Folk at the Salmon Bothy open mic nights are on the 3rd Friday of every month so if you're ever up this way for the hillwalking ...http://www.bothyfolk.org/

And keep looking at the Glenbuchat Hall facebook pages - they have some superb acts lined up for the coming few months...https://www.facebook.com/GlenbuchatHall


*** YOUTUBE ***

There are many and various YouTube demo clips featuring Harmony tenor guitars, but I have so far failed to find a satisfactory YouTube clip of the H1215TG, so I have embedded one titled "Hard Luck Child" by "gadaya", sent to me by the customer who bought one of the Stella Tenors I have restored. Although played on an older 1920s/30s Stella, to me it is a great piece of Tenor Guitar Blues playing.
Useful links
Harmony Guitars Database - Harmony H1215T - Archtone Tenor
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