Preliminary Announcement - showing photos of the guitar, prior to restoration, as it came to me.
- Already reserved as provisional pre-order for a customer in Scotland, pending completion of the restoration.
16/07/2017 - Completed, and on it's way to the customer, in Scotland. Full set of updated photos, showing the guitar following completion of the restoration.
Feedback! - "The guitar arrived today in great condition and I'm so pleased. It's lovely and it sounds great! Thank you so much for the work you've done - and Colin, too. I am over the moon."
.....and 4 months later...."I absolutely love the tenor guitar I bought from you. It's a joy to play and it sounds amazing."
I'm now trying to locate a suitable Archtop Tenor for the same customer!
If you follow my listings you will know that from time to time (i.e. as often as I can get hold of them) I do list Tenor Guitars regularly, most often H929TG Harmony made Stellas, which usually don't hang about long at all - with excellent feedback from buyers! Availability of the Stella Tenors is also limited, and I generally don't manage to get more than 2 or 3 a year, and they are usually pre-sold. The same is true of most of the types of tenor guitar I have sold. Most of these have been the various ones made by Harmony....as I say, most frequently the Stellas, followed by the H1201TG Sovereign, and the two archtop models, the H1215T Archtone & the H950T Monterey. In addition there has been a more limited number of Kay tenors.
My tenor guitar sales have been fascinating in regard to the quality of the players who have bought them, including one restored as a private project for the well-known Midlands-based Bluesman David Bristow. David is extremely happy with it, and footage of him gigging it is now available on YouTube - David Bristow - Three Fat Ladies! Sound is better on the one recorded at the Musician, Leicester.
Another, partly rebuilt and restored was sold to Richard Hawley, who has since bought another tenor...this time a Harmony Sovereign H1201TG from me, and again I have been in touch with Richard recently, and he is very happy with both of his tenors, and happy for me to use his endorsement. Amongst others tenors sold are the Archtop H1215Ts to both Steve Harrison & Graham Legge.
I am now finding that I regularly "pre-sell" my guitars, at the stage where I am still working on them, and although previously I had my doubts, this arrangement has now worked well in quite a number of cases, so I have decided to list some of the guitars coming through the workshop, in advance of them being fully ready, and welcome further enquiries.
Stock Numbers: VTG1088.
The Kay Company's guitar-making in Chicago ceased in 1968, several years earlier than Harmony, and in identifying Kay USA made guitars generally, we do not have the excellent facility of the The Harmony Guitars Database to assist. There are some online catalogues available via the Kay Vintage Reissue website, but not all years are available...for instance 1961 & 1962 are there, but then a gap until 1966 & 1967/8, when Kay USA finished. However, like Harmony, in this era, as throughout from the 1920s/1930s onwards, Kay made many guitars for various distributor/store/mail order companies, like Sears, whose post-war in-house guitar brand went by the name of Silvertone. None of these guitars are in the Kay Catalogs!
Various online information suggests that this model is the Silvertone 661, only available for a short period from 1964 to early in 1966...rather a late-in-the-day response to the early 1960s folkie boom, I'd have thought! It seems very similar to the Kay K3900 which appears in the 1966 Catalog, but that model has a Mahogany top, rather than Spruce...I sold one of those 4 years ago.
Into the 1960s, it seems that the tenor guitar, developed early in the 20th. century as a guitar usable by banjo players, was still in demand, but production had dwindled to a few manufacturers. In recent years the use and demand for Tenor Guitars has revived strongly, with some prominent players.
This Silvertone Mod. 661 tenor, and the similar one now "pre-ordered", are roughly the equivalent of Martin 000 or OM body-size....approx. 15"/38cm. wide, approx. 19"/48cm. body length, 23"/585mm. scale length, with a typically slim 29.5mm./1.15" nut width fingerboard. The top is Spruce, with tortoiseshell edged, cream & black binding to the sides and soundhole and teardrop-shaped tortoiseshell colour scratchplate. The Back & sides are Mahogany, again with tortoiseshell binding.
The condition is mainly original, but the guitar already had some alterations, having previously seen some workshop attention to repairs which at the outset of this restoration still needed to be completed. The parts that then were not original were an added flamed Mahogany veneer facing to the headstock, and fitted heavy cast/enclosed Grover machineheads. The facing is part of a restoration started elsewhere following a headstock break. Break has been very successfully & strongly re-jointed and the veneer added prior to arrival here. It could be that the weight of the heavy replacement machineheads was a factor in the damage, on a very slim neck/headstock, but as it happened prior to arrival here, that is mere speculation on my part.
In their place I have fitted a set of new Kluson 2x2 vintage style stamped-steel Tenor Guitar tuners, with black plastic oval buttons, Nickel finish, double-line housing, to restore the vintage character of the fittings. The headstock work has been completed by additionally facing the rear of the headstock, and further re-finishing work, to the whole neck & headstock which has been completed by the highly respected luthier I work with. Following completion of this work the original damage is not be detectable.
Further work needed to complete the restoration included the removal & re-fitting of the fingerboard, in order to secure and eliminate a vibration noise from the steel neck reinforcement rod, following which the fingerboard was re-levelled & re-fretted. In addition it was found necessary to remove the back of the body in order to rectify movement in the neck block, which it turned out was actually partly split & detached from the back. The back was re-fixed, new binding fitted, trimmed, sanded and finish made good locally to blend as well as possible with the original.
The original Rosewood bridge was dressed & reduced in height to allow the making/fitting of a new bone saddle in place of the previous fretwire saddle (fixing bolts visible are factory original fittings, not later additions), to provide a fully playable, well set-up, professionally restored player's tenor guitar.
Following completion of the restoration work it has been set-up with a good tenor guitar 12th. fret at approx. 3mm./3.25mm., strung for Chicago DGBE tuning.
There is no case included with the guitar. I may have an contemporary pressed fibreboard case to fit, but old cases of this type, are not generally very robust or well-fitting. However, if you would be looking for a hardshell case, offering better protection, I may have a virtually unused Hiscox Liteflite case to fit at modest additional cost.